Of Cripples and Crippling

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Essay #: 059959
Total text length is 4,741 characters (approximately 3.3 pages).

Excerpts from the Paper

The beginning:
Of Cripples and Crippling
The reader must begin with the understanding that “The Glass Menagerie” was written before political correctness demanded that society not use words like “retarded” or “cripples,” but rather use terms such as “physically and/or mentally challenged.” But, who or what in this play is crippled: Laura, the broken unicorn, Amanda’s pushiness? The answer, in fact, is that it is the family that is crippled: the three of family members are entirely mismatched. None of the three deal with reality. As a matter of fact, Tennessee Williams uses the word “illusion.” The play starts off that way: “I give you truth in the pleasant disguise of illusion.” (
Gassner
139). It is only at the very end when the tragedy culminates with...
The end:
.....he Wingfields are flawed- crippled because they are a poor match for one another and because there is just no cement bond keeping them whole and together. Just as happens with those animals, it takes a push to make drastic changes. And that push is seldom beneficial.
References
Crawford, Brett Ashley: “The Glass Menagerie” Washington:
Theatre Journal May 2005. Vol. 57, Iss. 2; pg. 308
Farmbrough, Preston: “Williams’ ‘The Glass Menagerie’”
Washington: The Explicator Winter 2005 Vol. 63 Iss. 2;
p. 100
Gassner
, John: Fifty Best Plays of the American Theatre
Vol. III New York: Crown Publishers (1969)
Williams, Tennessee. “The Glass Menagerie. Drama.”
Ed. Jeffrey
Hoeper
, James Pickering, and Deborah
Chappel
.
New York: Macmillan (1994) p. 1065