Narratives of Christ in Duccio’s “Maesta Altarpiece” and Giotto’s “Arena Chapel Frescos”

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Essay #: 072995
Total text length is 21,823 characters (approximately 15.1 pages).

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The beginning:
Narratives of Christ in Duccio’s "Maesta Altarpiece" and Giotto’s "Arena Chapel Frescos"
Duccio
and Giotto were two of the most important and influential Medieval/ Proto-Renaissance Italian painters. Each were commissioned to create artwork that would complement a church or chapel in order to provide visual imagery that helped to focus and compliment the religious services performed in each.
Duccio
created the
Maesta
panel painting between 1308 and 1311 to serve as the altarpiece for the main Cathedral in Siena, Italy (
Deuchler
541).
Duccio
was one of the most important figures in helping to shape the direction of
Sienese
artwork of his time, as his work ably combined earlier Medieval styles with the new Gothic Italian style in terms of...
The end:
.....ninsegna
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Scrovegni’s
Chapel,” Storytelling in Christian Art from Giotto to Donatello. New Haven: Yale University Press, 2006.
Meagher, Jennifer. “Italian Painting in the Later Middle Ages,” Metropolitan Museum of Art, September 2010. Retrieved 3 December 2011, <http://www.metmuseum.org/toah/hd/iptg/hd_iptg.htm>
Padova
Medievale
. “Padua in the Middle Ages.” Retrieved 3 December 2011, <http://www.padovamedievale.it/info/padua-middle-ages/en>
Stokstad
, Marilyn. Art History, Fourth Edition. Boston: Prentice Hall, 2010.
Williamson, Beth. “Approaches to Giotto,” Art History 34(5), 2011.