Gender-Blocking Functions of Iconostasis in the Monasteries of Old Cairo General Introduction Ouspensky and Lossky define the iconostasis as “an unbroken screen, composed of icons, separating the Sanctuary, where the sacrament of the Eucharist is celebrated, from the central part, the nave, where the congregation stands” (p. 59). Iconostasis has received a great deal of attention from art historians as well as scholars of religion thanks to its important, but ultimately ambiguous, liturgical and aesthetic role in Orthodox Christian worship. This paper will analyze iconostasis in the Coptic monasteries of Old Cairo. As a prelude to doing so, it is necessary to consider the general development of iconostasis so that the special features of...The end:
.....LON, M. 2006. Encyclopedia of women and religion in North America, volume 2. Bloomington: Indiana University Press. MCKENZIE, J. 2007. The architecture of Alexandria and Egypt, c. 300 B.C. to A.D. 700, volume 63. New Haven: Yale University Press. MOFFETT, M., FAZIO, M.W., & WODEHOUSE, L. 2003. A world history of architecture. New York: Lawrence King. OUSPENSKY, L. & LOSSKY, V. 1982. The meaning of icons. Crestwood, N.Y.: St. Vladimir’s Seminary Press. PARRY, K. 2010. The Blackwell companion to Eastern Christianity. New York: John Wiley & Sons. WAINWRIGHT, G. & TUCKER, K.B.W. 2006. The Oxford history of Christian worship. New York: Oxford University Press US. WIGODER, G. 1989. The encyclopedia of Judaism. New York: Macmillan.