Comparison of the Art of Warhol and Duchamp On the surface, Andy Warhol’s Brillo box and Marcel Duchamp’s bottle-rack ready-mades appear to be expressions of almost exactly similar ideas, methods of working, and artistic statements. Consider, first, the two works side by side: Figure 1 Warhol’s Brillo and Duchamp’s bottle rack Warhol Duchamp Duchamp’s 1914 work seems to anticipate and complement Warhol’s. Both the Brillo pad and the bottle rack are industrially produced objects of utility—the last items that, before the revolution in art that began in the early twentieth art, anyone would take for art (it should be noted that, although Warhol occasionally reproduced the Brillo box in his art, he was also known to present the Brillo box as...The end:
.....very different claims on the spectator. Whereas Duchamp tacitly invites us to mirror his process and put aside taste, Warhol never had taste in the first place; we cannot follow him in either aesthetic or political terms, only marvel at his endless quality of emptiness. References Benjamin, Walter. Selected Writings. Cambridge, MA: Harvard University Press, 2008. Cabanne , Pierre. Dialogs with Marcel Duchamp. London: Thames and Hudson, 1971. Duchamp, Marcel. Bottle Rack. 1914. The Louvre, Paris. Michelson, Annette and Buchloh , B.H.D. Andy Warhol. Cambridge, MA: MIT Press, 2001. Strickland, Carol and Boswell, John. The Annotated Mona Lisa. New York, NY: Andrews McMeel , 2007. Warhol, Andy. Brillo boxes. 1969. Museum of Modern Art, New York.