A Feminine Proof in David Auburn’s "Proof" David Auburn’s play Proof is notable for the power that it is able to create from a relatively small cast of characters: indeed, it relies only on Robert – a crazed mathematician, Catharine – his daughter, Claire – another daughter, and Hal – Robert’s disciple. And while these four characters provide an interesting dynamic, there is one character in particular that is able to stand alone and provide the nexus of the play: Catharine. Unlike Claire, Catherine is closely, almost inextricably, linked to her father – especially his tendency towards madness. And it is her claim – that she is responsible for the brilliant proof that gives the play its title – which raises the most pressing questions: for...The end:
.....ned by Catherine’s position as a female and the feminine role that mathematics took during her formative years: before she could read she knew prime numbers. The assault of mathematics upon her mind must be considered as both conscious and unconscious, as masculine and feminine. Works Cited Auburn, David. Proof. New York: Dramatist Play Services, Inc., 2001. Caputi , Mary. “The Maternal Metaphor in Feminist Scholarship.” Political Psychology 14.2 (1993): 309-329. “Proof.” Oxford Dictionary of Literary Terms. New York: Oxford UP, 2004. Proof. Dir. John Madden. Miramax Films. 2005. Kaufmann, Stanley. “Books and the Arts: Truth- Seekings .” The New Republic (2005): 22-23. Lubin , Cheryl. “Review of Proof.” Theatre Journal 57.4 (2005): 744-747.