A Critical Analysis of Cross-Generational Feminism of Female Asian Filmmakers

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Essay #: 062600
Total text length is 9,076 characters (approximately 6.3 pages).

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The beginning:
A Critical Analysis of Cross-Generational Feminism of Female Asian Filmmakers
This film study will analyze the cross-generational aspects of Asian filmmakers that involve women directing films with a feminist perspective. Peng Xiaolian, Lee Suk-Gyung, Liu Jiayin, Yue-Qing Yang, and Li Yu are five feminist filmmakers that all tell differing stories about women’s experiences in a patriarchal society. While many of these views vary from lesbianism to the everyday lifestyles of women at the margins, the cross-generational necessity of these female perspectives shed light on the problems of patriarchal authority that critics often uncover in Asian film studies.
In Chinese film history, there is often the problem of categorical critical...
The end:
.....queline. Women Filmmakers: Refocusing. British Columbia: University of British Columbia Press, 2003.
Podvin, Thomas. “A woman of substance, director Peng Xiaolian on Chinese women, the film industry and Shanghai.” 2005. HKcinemagic.com. September 20, 2010. < http://blog.hkcinemagic.com/thomas-podvin/index.php/2005/11/04/83-a-woman-of-substance-director-peng-xiaolian-on-chinese-women-the-film-industry-and-shanghai>
Reynaud, Berenice. Men Won’t Cry – Traces of a Repressive Past: The 28th Vancouver International Film Festival. 2009. Sensesofcinema.com. September 20, 2010. < http://www.sensesofcinema.com/2010/festival-reports/men-won%E2%80%99t-cry-%E2%80%93-traces-of-a-repressive-past-the-28th-vancouver-international-film-festival/>