A Contemporary Oedipus: Chan-Wook Park’s “OldBoy”

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Essay #: 056548
Total text length is 7,440 characters (approximately 5.1 pages).

Excerpts from the Paper

The beginning:
A Contemporary Oedipus: Chan-Wook Park’s "OldBoy"
Works of literature and plays, like history, repeat themselves. Many of the themes that surface in classic literature, plays and film resurface in different incarnations, in more contemporary contexts. The contemporary retelling of Sophocles’ Oedipus the King is no different, and is put into a postmodern thriller context by Korean film visionary Chan-Wook Park. Park takes the story of Oedipus and applies it to the psychological thriller genre, therefore reinventing the incestuous story of Oedipus within a different context. The film OldBoy is like the play Oedipus The King in the extensive use of oracles, the treatment of incest and the quest of the protagonist.
Sophocles’ Oedipus the King...
The end:
.....emes in different context and be enriched and affected by them in different ways, which is one of the perks of adaptations. Both works of art will be valued for years to come for their attentiveness to these themes and artistic ambition. Both Park’s film OldBoy and Sophocles’ Oedipus The King are successful and similar in their use of oracles, the treatment of incest and the quest of the protagonist.
Works Cited
Dargis, Manohla. “The Violence (and the seafood) is more
than Raw.” The New York Times: Movies. 25 March 2005. Web. 15 December 2009.
Old Boy. Dir. Chan-wook Park. Perf. Min-sik Choi, Ji-tae Yu, Hye-jeong Kang. Egg Films, 2003. DVD.
Sophocles. Oedipus the King. Morshead, Edmund Doidge Anderson, trans. United States: Macmillan, 1885.