FREE ESSAY ON THE GARDEN OF LOVE

THE GARDEN OF LOVE

"The Garden of Love" is, quite obviously, a poem about life and the pursuit of happiness.
It is also about the effects that negativity can have on love. Blake uses religion to
convey the idea that negativity "...pervades and corrupts all life"(51 n.9), further
supporting it with his use of rhyme scheme and imagery. In searching for love people
often times emerge scarred and hostile from their fruitless efforts. Some continue to
have faith in the idea of love and its possibilities, others do not. These folk sometimes
seek refuge from their pain in a variety of houses. It is just as often that these
refugees project their negative attitudes onto others that search for love and happiness.
People who fear love can prevent others from finding it, because they change the positive
surroundings to suit their negative world. 
the conflict between organized religion and the individual is the constant idea
throughout the poem. Blake, himself, despised the Church, as an institution rather than
an idea, and used religious symbols to show how structured religion can destroy the lover
and creator within. A chapel has been built, perverting a once pure and loving
environment. In inspecting the chapel, the persona feels only negativity from a religious
house, as the gates are shut "And Thou shalt not writ over the door"(6). Not only has man
and machine invaded this place once full of life, but they have also brought with them
negative commandments. The negative phrase, "Thou shalt not" defies the instructions in
Deuteronomy to write "Thou shalt"- a positive commandment- "upon the posts of they house
and on thy gates," supporting the notion that "negative commandments pervade and corrupt
all life"(51 n.9). Other images are used to represent individual and Church, positive and
negative. He uses words that exude life and breath, such as "green, love, bore," and
"sweet flowers." These are all positive images that support the individual's search for
creativity and love within the natural environment(pre-Church). Blake uses negative
images to represent the Church, which in turn conveys the effects that negativity and
pessimism can have on positive things. Negativity can often overpower positivity. In "The
Garden of Love" negative images invade a positive environment and change it to suit its
needs. The Church tears apart the natural environment in order to create a church, shuts
the gates to keep out evil and poor people, and replacing the Garden of Love with a
garden of death by substituting tombstones for flowers. Blake uses words that imply
darkness and negativity, such as "new building, gates, graves, black gowns," and
"briars." The positive images that are present in the first stanza of the poem eventually
disappear and the poem is overflowing with negatives. "And I saw it was filled with
graves,/And tomb-stones where flowers should be:/And Priests in black gowns, were walking
their rounds,/And binding with briars, my joys & desires"(9-12). The images of innocence
and life that introduced the persona finds her place of refuge overgrown with darkness
and infected with limitations. As Jean Hagstrum said, "It is always the institutional
Urizen who perverts natural life. In the garden of love in Experience stands an altar,
and priests read commands from a book on a lectern" (531). What used to be a place lush
with life and hope is being confined by negativity. Blake's use of conflicting imagery
shows how negativity is infectious and limits love. 
Blake also uses the persona to show the effects of negativity on positivity. The persona
changes throughout the poem as the influence of the organized Church on the environment
increases. In the beginning, the voice is innocent, pure, open, and exploring, saying, "I
went to the Garden of Love,/and saw what I never had seen.../Where I used to play on the
green" (1-4). The voice was individualistic and not influenced by any powers other than
her own. However, as the poem progresses and the persona experiences more negativity,
that voice changes. In the final lines, with the addition of internal rhyme scheme, the
voice seems trapped and confused. "And Priests in black gowns, were walking their
rounds,/And binding with briars, my joys & desires"(11-12). In the first two stanzas of
the poem, it consists of an a, b, c, b rhyme scheme or end rhyme. The end rhyme gives the
sense that the poem is only half of a nursery rhyme; it is an incomplete, but happy
ending. The pattern is particularly effective when the a and c lines are negative. For
example, in line 5, Blake says, "And the gates of this Chapel were shut." By ending the
line with "shut," it gives the reader a sense that there are unanswered questions; it is
a hopeless situation, where there is no possibility of opening the gates. Line 5 is a
statement- a declaration, or sorts, of impossibility and hopelessness- without a rhyming
word to imply a happy ending. However, the last stanza maximized this feeling of
confusion, as there was no end rhyme, only internal rhyme. The internal rhyme gives a
feeling of rushed and lost hysteria, because the rhyme was much tighter, as well as
giving a sense of hopelessness. Through his use of rhyme scheme, Blake effectively
conveyed the idea of cultivating the creator within and the effects of organized religion
on the individual. Had Blake used a different rhyme scheme or voice, the subtle nuances
or hopelessness, frenzy, or confusion would have been lost to a totally different
purpose. With each negative aspect of the Church's presence that the persona encountered,
its hopeful and explorative nature became increasingly influenced by religious standards,
therefore losing it's positive and loving qualities. 
Blake also uses religion as an effective means of showing the denial of love. By
convention, religion is sought after as a refuge, usually by people who cannot deal with
issues in their own life. In this instance, priests, who deny love through adopting the
vow of celibacy, do not even allow the persona the opportunity to explore love, as they
have taken over the only environment that has symbolized positivity. The priests, dressed
in cloaks the color of death, fulfill their duties to the church by "walking their
rounds." They strangle the love and joy of a person, allowing the piercing thorns of
briars to overgrow(Blake 52). Even in seeking out a priest for advice on love, how could
the priest possibly give valuable and true advice? He is limited by his own feelings of
duty towards rules set by an institution and not by himself. Celibacy is not a natural
act of the human body, as love is, but something entirely foreign and centered in the
mind. The religious institution follows a series of laws and motions that love does not.
In "The Garden of Love," the church expects the natural act and emotion of love to follow
these motions, which is entirely unnatural, just as it is unnatural to be celibate and
deny emotion for another human being. "The result is no less cruel-the banishment of
daylight love for nighttime deceit, the repression and perversion of the young into the
gray and palsied sufferings of the old"(Hagstrum 531). The negative and confining nature
of the Church and celibacy prevent the young, positive nature of love from existing and
exploring. 
"The Garden of Love" is a true testament to how easily negative energy and negative
surroundings can wound and infect a positive environment. Negativity spreads like a
disease, disrupting the easy and natural optimistic heart. Blake conveys this point with
the convenient use of a confining institution such as the Church, which he further
supports with a fine use of imagery and an effective incomplete rhyme scheme and voice.
He quite easily showed that the negativity others accept through their life experiences
end up robbing others of their innocence, as they choose not to process their emotions,
but dwell in them.