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Herman Melville's "Moby Dick"
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Herman Melville's "Moby Dick"
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MELVILLE'S MOBY DICK

Melville was born in a time of American history where inspiring works of American
literature began to emerge. It was also a time when America had not completely separated
its literary heritage from Europe, partly because there were successful literary genius'
flourishing there. Melville proved to be a genius of his own, with his many works such as
Moby Dick, Billy Bud, and Bartleby. Three distinct themes could be seen throughout most
of his literature; whales and the whaling industry, commentary on the universe and human
destiny, and ideas about God and nature. Moby Dick is an incredible work by Melville most
often referred to as an epic, a tragedy, a novel, an exposition on the whaling, and a
spiritual autobiography. It is often overlooked that a deeper, more symbolic, meaning may
have been the driving force behind Moby Dick.
Herman Melville was born on August 1, 1819, to Allan and Maria Melville. He was the third
of eight children in the Melville family. He was generally described as silent and slow;
his mother thought him to be a very dull child. In 1832 Melville suffered tragedy when
his father died. Finishing school when he was fifteen, Melville took service as cabin boy
aboard the St. Lawrence. After returning to his home in New York for some time after
serving as cabin boy, Melville took berth as an ordinary seaman aboard a whaling ship
called the Acushnet. After approximately four and a half years as a seaman on various
ships, he set down, again in New York, to write of his experiences. Within six years he
had published five books. Shortly thereafter Melville was married and moved his family to
a farm near Pittsfield, Massachusetts. It was at this location where Moby Dick was
written. Moby Dick was first published in 1851. Melville continued to write, both poetry
and stories, until three months before his death in 1891.
Melville's perspective on life was that God created the universe with an infinite number
of meanings and man is always trying to determine one specific meaning (Robertson-Lorant
65). It is possible that Melville, through writing, was seeking out some of his many
destinies bestowed upon him by God.
The basis of the name Moby Dick can be traced back to an article in the New York
Knickerbocker Magazine in May of 1839 (Madden). An article entitled Mocha Dick: or the
White Whale of the Pacific recounted the capture of a giant sperm whale that had become
infamous among whalers for its violent attacks on ships and their crews. The reasoning
behind this whales name was quite simple; the whale was often sighted near the island of
Mocha, and the use of Dick was a generic name similar to the use of Jack or Tom. It is
not shown that Melville's work resembles this article in particular way except the use of
the name and basic idea. The reasoning for the transfer from Mocha to Moby is possibly
the biggest mystery. Melville never explained where the name had come from. It is
possible that the name was something he had invented and just liked the sound of. Many
scholars, however, are not convinced of this and have taken time to look for another
reason behind the change.
By July 1846 even the Knickerbocker Magazine had forgotten its earlier version [of
Reynolds article], reminding its readers of 'the sketch of "Mocha Dick, of the Pacific",
published in the Knickerbocker many years ago…'. That account may well have led
Melville to look up the earlier issue, in very month he rediscovered his lost buddy of
the Acushnet and fellow deserter on the Marquesas, Richard Tobias Greene, and began 'The
Story of Toby'. May not 'Toby Dick' then have elided with 'Mocha Dick' to form that one
euphonious compound, 'Moby Dick'?" (Madden)
As far as anyone has figured, the name Moby Dick does not represent any certain symbolism
pertaining to Melville's spiritual self or experiences at sea.
The central character in Moby Dick is Ishmael, a Christian, schoolteacher, and part-time
sailor. Ishmael's role in Moby Dick is to interpret the happenings about the Pequod and
its crew. He discusses his reasons for going to sea and interprets and looks for
understanding a number of reasons for any specific action where other characters only
understand one reason. Ishmael befriends another Pequod crew member, Queequeg, who is a
cannibal. Even though Queequeg is physically very ugly and cannibalistic, Ishmael sees
that Queequeg has an honest heart, great honor, and is courageous. This friendship had a
positive influence on Ishmael's behavior, it taught him not to judge others on outward
appearances; although, to some effect, Ishmael had pre-judgments about Captain Ahab.
Representation of the common man was portrayed through Ishmael. He was not wholly corrupt
and faced with many struggles brought about by the sea.
Another symbolic relationship, which was very short, was between Ishmael and the Pequod's
Captain, Ahab. For the first few days aboard the Pequod Ishmael only saw Ahab in the
shadows. When Ishmael finally saw Ahab in full light shivers ran through his body.
Ishmael could sense Ahab's attitude of determination, dedication and hatred towards Moby
Dick. This relationship impacted Ishmael in a negative way, Ishmael feared Ahab and did
not want to befriend such an evil person. Ishmael was good-natured and did not want to be
corrupted by Ahab's evil. To stay from being corrupted Ishmael keeps himself from being
near Ahab. The following passage from Moby Dick shows Captain Ahab as similar to the
devil, controlling the crew of the Pequod and forcing actions upon them to attain his one
insane task.
As they narrated to each other their unholy adventures, their tales of terror told in
words of mirth; as their uncivilized laughter forked upwards out of them, like flame from
the furnace; as to and from, in their front, the harpooners wildly gesticulated with
their huge pronged forks and dippers; as the wind howled on, and the sea leaped, and the
ship groaned and dived, and yet steadfastly shot her red hell further and further into
the blackness of the sea and the night, and scornfully champed the white bone in her
mouth, and viciously spat round her on all sides; then the rushing Peqoud, freighted with
savages, and laden with fire, and burning a corpse, and plunging into that blackness of
darkness, seemed the material counterpart of her monomaniac commander's soul. (Melville)
Melville's use of phrases and words such as "unholy," "huge pronged forks," "red hell,"
"flames," and "blackness" show the Perquod as the vehicle of a satanic captain. The
"monomainiac commander", Captain Ahab, is intent on using any and all means necessary to
get revenge on the white whale. This can be compared to Satan's eternal fight for revenge
against God for casting him out of heaven.
A more gentle, uncorrupted, light is cast upon the sea. The sea is a vast, blue space in
which the lives of the crew aboard the Pequod. Melville's descriptions of nature have a
romantic sense to them. 
Yonder, by the ever-brimming goblet's rim, the warm waves blush like wine. The gold brow
plumbs the blue. The diver sun—long dived from noon,—goes down; my soul
mounts up! she wearies with her endless hill. Is, then, the crown too heavy that I wear?
this Iron Crown of Lombardy. Yet is it bright with many a gem; I, the wearer, see not its
far flashings; but darkly fell that I wear that, that dazzlingly confounds. 'Tis
iron—that I know—not gold. 'Tis split, too—that I feel; the jagged edge
galls me so, my brain seems to beat against the solid metal. (Melville)
Most objects, such as characters and settings, are representative of more symbolic
meaning. Moby Dick is a symbol of all that is unattainable in the universe. The color of
the whale being white could mean so many different and conflicting things that it can't
be narrowed down to one meaning. The coffin that was turned into a buoy and saved
Ishmael's life could suggest that the meaning of any object lays in the beholder of the
object not the object itself. The place that is a representative of a larger idea is the
sea. The sea represents a man's life, it symbolizes the fears that a man must overcome in
life in order to gain a fuller understanding of life. The sea is a constant presence
throughout the novel, as it is the background of almost every scene.
The metaphors Melville is using indicate the condition of man and about man's uncertainty
in the universe we live in. His tone is that of man choosing his own destiny through his
own actions. Melville's attitude is that of Man's absolute insignificance in the
universe. There is nothing Man can do to improve the present state of the universe once
he has acted on his decision. Another aspect of his philosophy is Man's continual
struggle with himself in this universe. The vastness of the universe and man's place in
it is difficult for the average man to comprehend. At best he can just figure out one
meaning, but there could be more. This novel has influenced attitudes and beliefs on the
destiny of man and has shown that there is more than one view of every object. It shows
people that they need to be open minded and examine things from more than perspective
before passing judgment.
One of Melville's goals was of indicating the condition of man and man's uncertainty in
the universe. Melville also shows the reader about Man's absolute insignificance in the
universe. Melville represented objects with ideas and beliefs of deeper meaning.
Throughout the book man's insignificance in the universe is represented by the
relationship of the crew to the ocean. It is also shown how a man's decision, once
executed, cannot be changed; an example of this is when Captain Ahab throws the spear
into Moby Dick. The spear's rope wraps around Ahab's neck and when Moby dives, Ahab goes
with him. There was nothing Ahab could have done to escape. 
The topics in this novel are very true, however, an adventure loving reader will read
this book and only focus on the action rather than what Melville was trying to portray.
Moby Dick can be significant to a reader who is seeking to know more about man's relation
to the universe. 
Bibliography
McQuade, Donald, ed. The Harper American Literature. New York: Addison Wesley, 1994.
Melville, Herman. Moby Dick. New York: Modern Library, 1998.
Robertson-Lorant, Laurie. Melville: A Biography. New York: Clarkson Potter, 1996.
The Life and Works of Herman Melville. 17 August 1999 .
The Web of Meaning in Moby Dick. .
Tunmore, Luanne. The Magnitude of Moby Dick. .

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