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FREE ESSAY ON LUDWIG VAN BEETHOVEN

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Muzio Clementi & Ludwig Van Beethoven
Examines their relationship & musical influences of Clementi on Beethoven (compositional techniques, chord progressions, harmonies, dynamics). -- 3,150 words;

Ludwig Mies van der Rohe
Examines two works by minimalist architect, Ludwig Mies van der Rohe. -- 1,871 words; MLA

Beethoven and Van Gogh
A comparative analysis of the psychology behind the works of Ludwig Van Beethoven and Vincent Van Gogh. -- 936 words; MLA

Intelligence and Creativity: Jeremy Bentham and Ludwig von Beethoven
A discussion on whether genetics or environmental influence made Jeremy Bentham and Ludwig von Beethoven who they were. -- 3,025 words;

Maynard Solomon's "Beethoven"
A look at the one-sided nature of Maynard Solomon's portrayal of Ludwig van Beethoven's custody battle in "Beethoven". -- 1,548 words; MLA

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LUDWIG VAN BEETHOVEN

BEETHOVEN 1770-1827
Life of Beethoven
I. Education in general and in music 
Beethoven came from a musical family, and his early musical training was under his
father's guidance. His father taught him piano and violin. His general education was not
continued beyond the elementary school. He was practically illiterate in math. 
II. Self assertion 
As a youth of 19, in 1789, Beethoven took legal steps to have himself placed at the head
of his family. He petitioned for half his father's salary to support his brothers. This
act of self-assertion is an indication of his character. 
III. Studies with Haydn 
A. The first contact 
On one of Haydn's trips to London, he met the young Beethoven. Beethoven showed Haydn a
cantata and he received Haydn's commendation. The Elector of Bonn paid for Beethoven's
lessons and expences in to study with Haydn in Vienna. 
B. The studies 
Beethoven arrived in Vienna in 1792 and studied with Haydn for about one year. The
arrangement proved to be a dissappointment to Beethoven. 
C. The relationship 
Outwardly in public the two were cordial, but there were troubles with the
relationship--maybe professional jealousy caused the problems. 
D. Other teachers 
Beethoven turned to other teachers when Haydn went to London for the second time. He
studied with Albrechtsberger, famous as a choir director at St. Stephens in Vienna and
the best-known counterpoint teacher in Vienna. He then studied Salieri, famous in
Mozart's biography. Salieri helped Beethoven in setting Italian words to music. 
IV. Establishment as pianist and composer 
His first task in Vienna was to establish himself as pianist and composer. He achieved
both rapidly. 
A. Aristocracy 
He had worked for a court in Bonn so his first contacts were in aristocratic circles. He
needed financial support from them. 
B. Public concerts 
Public concerts were not yet the way of life in Vienna, but Beethoven did begin a series
of charity concerts. Later in 1800 he gave his first concert for his own benefit. 
C. Opus 1 
His opus 1, Trios for Piano Violin and Cello, were designed to impress Viennese society.
Each trio is in 4 movements. Beethoven created parity among the instruments in these
trios. 
V. Brothers and Nephew 
A. Fighting with brothers 
All three brothers lived in Vienna and they often came to blows in the street. 
B. Fighting for nephew 
After his brother Carl died in 1815 Beethoven felt responsible for his nephew Karl. He
had little difficulty in persuading himself that his sister-in-law was unfit to care for
Karl. He went to court requesting guardianship (he won). 
VI. Deafness 
A. The secret 
It is not known for sure when he began to go deaf, but he kept the fact a secret until
1801 when he wrote a Bonn friend about his miserably life. 
B. Heiligenstadt Testament 
Having moved out of the city for medical reasons he wrote the Heiligenstadt Testament. 
C. Total deafness 
He was totally deaf by 1818. He continued to compose until the year of his death in 1827.

Works of Beethoven
? 9 SYMPHONIES 
? 1 OPERA Fidelio 
? 32 PIANO SONATAS 
? 5 PIANO CONCERTOS 
? 16 STRING QUARTETS 
? 16 SONATAS FOR ONE INSTRUMENT AND PIANO (CELLO,5; VIOLIN,10; FH,1) 
The Symphonies
? op.21 Symphony No. 1 in C 1800 
? op.36 Symphony No. 2 in D 1801-02 
? op.55 Symphony No. 3 in E flat Erocia 1803 
? op.60 Symphony No. 4 in B flat 1806 
? op.67 Symphony No. 5 in c minor 1807 
? op.68 Symphony No. 6 in F Pastoral 1808 
? op.92 Symphony No. 7 in A 1811 
? op.93 Symphony No. 8 in F 1812 
? op.125 Symphony No. 9 in d minor 1822 

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