FREE ESSAY ON KING LEAR/MACBETH

KING LEAR/MACBETH

Themes from Leading Men
The act of creating and developing a character called characterization not only
establishes a character, but serves as a means for the author to reveal the themes of the
play. A literary character is the invention of the author, and often inventions are
indebted to prior inven-tions(Kirsch 236). Therefore, through characterization many
common themes repeat with in an author's literary col-lection. Shakespeare is the
inventor of many characters and throughout his plays themes often reappear. Macbeth and
King Lear, two of Shakespeare's tragedies, exemplify this technique. The protagonists of
these two plays, Mac-beth and King Lear, by means of their actions, thoughts and words
reveal a theme to the audience. 
Shakespeare has many portraits of madness among his characters, and he returns to the
theme again and again. Indirect characterization in the form of Lear's mad speeches
allows Shakespeare to convey the theme of madness. For example one of Lear's first
speeches after wit begin to turn, Poor naked wretches, wheresoe'er you are,\ That bide
the pelting of this pitiless storm,\ How shall your house-hold heads and unfed
sides,\Your loop'd and window'd rag-gedness, defend you...(III.iv.35-38). Lear's insanity
in-creases over the course of the play, demonstrated to the audience through more
speeches, until his emotions over-throw his reason at the climax of the play. Lear
erratic-ally shouts in to the storm, Rumble thy bellyfull! Spit, fire! Spout, rain!\ Nor
rain, wind, thunder, fire are my daughters.\ I tax not you, you elements, with
unkindness.\ I never gave you kingdom, called you children(III.ii.14-17). The example of
Lear invoking the storm to destroy the seeds of matter along with many other absurd
statements il-lustrates that he has an unsound mind and it is made clear to the audience
by his words. 
Shakespeare expands on the theme of madness in King Lear by Lear again using his words to
express the reason for his insanity. The cause is the realization that his daughters
Goneril and Regan do not love him. One critic explains the cause of Lear's madness, It is
the agony of the learning that exposes Lear as an old, rejected man which forces him over
the brink of madness(Stuart 172). The finally pushes him over the edge was the cruel
actions afflicted on him by the people that supposedly loved him. To such a lowness but
his unkind daughters.\... 'Twas this flesh begot\ Those pelican daughters describes Lear
of the cruelty of his daughters (III.iii.76,80-81). The character of Lear produces the
theme of madness by expressing his own increasing insanity and reasons the reason for it
in raving tangents. 
Shakespeare further explores the theme of madness in a second play with the thoughts and
actions of Macbeth. He characterizes a madness driven by the guilt that he feels from
committing murders. He looses his head in the horror of the murders, when it was done,
considering them to deeply for sanity (Paris 8). Macbeth can do nothing but think of the
murders that plague his conscience, causing him to slip further into madness and away
from reality. For example, in his mind he can not wash the blood from his hands. Will all
great Neptune's ocean wash this blood\ Clean from my hand?(Macbeth.II.ii.59-60). Another
example of the theme of madness that is characterized by Macbeth is found in act three,
scene four - the climax of the play. Immediately guilt ridden from ordering the murder of
Ban-quo, Macbeth reaches his pinnacle of madness; exemplified by his delusion of Banquo's
ghost. Showing that he can no longer differentiate between reality and his imagination
Macbeth shouts, Avaunt! And quit my sight! Let the earth hide thee!\ Thy bones are
marrowless, thy blood is cold;\ Thou hast no speculation in those eyes\ Which thou dost
glare with (III.iv.93-97). Ross responds to him, What sights, my lord(III.iii.118). The
Insanity of Macbeth is shown in these quotes. Shakespeare's description of Mac-beth's
thoughts the reveals he theme of madness.
Further development of Macbeth's character reveals the theme of betrayal. The actions
controlled by his blind am-bition causes him to betray important people in his life.
Macbeth's betrayal is the murder of Duncan. He even admits to this himself, ... He's here
in double trust:\ First, as I am his kinsman and his subject,\ strong both against the
deed; then, as his host\ Who should against the murderer shut the door(I.vii.12-15).
Duncan is Macbeth's king and lord, he trusts him to be a faithful servant; by murdering
him he not only betrays this trust but also the code of honor to his lord. One critic
explains it Duncan is... Mac-beth's kinsman, king, and guest; he is to be murdered in
sleep. No worse act of evil could well be found. So the evil of Macbeth is
betrayal(Bernard 53). Even though Mac-beth knows that he has committed an act of betrayal
he does not find it to be wrong; For mine own good\ All causes shall give way
(III.iv.134-135). This shows his ambition causes him to betray at all coasts. Macbeth's
actions done to conquer is ambitions reveal the theme of betrayal.
The characterization by means of Lear's actions con-tinues the theme of betrayal in King
Lear. Lear banishes the two people that care the most for him, Ken and his daughter
Cordelia. Lear ask his daughter how much they love him; the flatter him while Cordelia is
honest. Lear takes offence to answer. As a critic explains, When Cor-delia refuses to
follow her sisters in answering with 'gilb and oily art, the stage has been set for
Lear's wrathful indignation(Rosinger 497). In a fit of rage says to Cor-delia: Better
thou\ Hadst not been born than not have pleas'd me better(I.i.237). By his reaction to
her Lear casts off the person dearest to him, thus betraying the love between him and his
daughter. When Kent attempts to defend Cordelia he is treated with the same rage. Lear
says that Kent should be banished because he sought to make the king break his vow. With
the single phrase, Out of my sight!, Lear turns against Kent. A true friend, Kent
hon-estly cares about Lear and by banishing him Lear betrays Kent. Lear's enraged actions
to banish and disown the two people that care most deeply for him bring out the theory of
betrayal. 
Along with betrayal the characters bring out other themes. Shakespeare uses the
characterization of Macbeth and Lear to reveal the themes of the plays. The themes these
characters developed are madness and betrayal. Simi-larities in the themes are found
because the characters of Lear and Macbeth were established in the same manor. The
characters actions, thoughts, and words establish the themes the plays. 
Themes from Leading Men
Introduction - The protagonists of these two plays, Macbeth and King Lear, by means of
their actions, thoughts, and words reveal a theme to the audience. 
I. The theme of madness
A. In Lear
1. Mad Speeches
2. Madness from what other people did to him
3. Madness highest at climax
B. In Macbeth
1. Insane thoughts 
2. Madness from guilt
3. Madness highest at climax
II. Theme of betrayal
A. In Lear
1. Kent 
2. Cordelia 
B. In Macbeth 
1. murder of Duncan
2. murder of Banquo
Conclusion - The characterization of Macbeth and Lear is the means that Shakespeare uses
to reveal the themes of madness and betrayal. 
Works Cited
Bernad, Miguel A. The Five Tragedies in Macbeth. 
Shakespeare Quarterly 13(1962): 49-61.
Kirsch, Arthur. The Passions of Shakespeare's Tragic
Heroes. Shakespeare Quarterly 43(1992): 236-237.
Paris, Bernard J. Bargains with Fate: The Case of 
Macbeth. American Journal of Psychoanalysis 42(1982):
7-20.
Rosinger, Lawrence. Gloucester and Lear: Men who act like 
Gods. ELH 35(1968):491-504.
Shakespeare, William. King Lear. New York: Simon & Schuster
Inc., 1957.
Shakespeare, William. Macbeth. New Jersey: Prentice-Hall, 
Inc.,1994.
Stuart, Betty Kantor. Truth and Tragedy in King Lear. 
Shakespeare Quarterly 18(1967): 167-180. 
Bibliography
Paris, Bernard J. Bargains with Fate: The Case of 
Macbeth. American Journal of Psychoanalysis 42(1982):
7-20.
Rosinger, Lawrence. Gloucester and Lear: Men who act like 
Gods. ELH 35(1968):491-504.
Shakespeare, William. King Lear. New York: Simon & Schuster
Inc., 1957.
Shakespeare, William. Macbeth. New Jersey: Prentice-Hall, 
Inc.,1994.
Stuart, Betty Kantor. Truth and Tragedy in King Lear. 
Shakespeare Quarterly