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FREE ESSAY ON FOOL AND LEAR

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The Fool in "King Lear"
Explores the role of the Fool in Shakespeare's tragic play, "King Lear". -- 1,059 words;

The Fool in "King Lear"
Examines the contribution of the Fool in William Shakespeare's play, "King Lear". -- 1,882 words; MLA

The Character of the Fool in "King Lear"
A look at the contribution the character of the Fool makes in Shakespeare's play in terms of his influence over plot and other characters. -- 1,915 words; MLA

The Fool in "King Lear"
A discussion of the function and effectiveness of the character of the fool in William Shakespeare’s “King Lear”. -- 1,440 words;

The Fool in "King Lear"
A focus on his relationship with Lear and his roles as a commentator and vehicle for the central theme of deceit vs. self-knowledge. -- 1,125 words;

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FOOL AND LEAR

The Fool
The Fool helps Lear to come to terms with the 'wheel of fire' that he has set in motion.
Commonplace in royal households, fools were conventionally seen as vulgar ninnies, simply
foolish rather than playing the fool. Shakespeare thus seems to have detached himself
from popular British tradition in favour of an older view of the royal fool, whose
purpose was to correct minor faults and imperfections in his master. This was probably a
function of the play's 'pre-historical' pagan setting. By disconnecting the Fool from
contemporary convention, Shakespeare could give him a role in shaping Lear's moral
progression without yoking him to morally prescriptive values. The invocation of an
earlier model of the 'wise' Fool would thus have served his purposes very well. If Lear
expects a contemporary fool, he does not get one: he is accompanied not by a ninny, but
by the character whom we know as 'the Fool', purveyor of riddles which provide dramatic
irony. This dramatic irony highlights the distance between Lear's understandings and our
own, while gradually leading Lear himself toward new insights.
When the Fool chants
Then they for sudden joy did weep,
And I for sorrow sung,
That such a king should play bo-peep,
And go the fools among. (1.4)
he suggests that Lear is taking on the role of fool. So too when he says to Kent, 'here's
grace and a codpiece — that's a wise man and a fool' (3.2), the Fool suggests that
he and the King have exchanged roles. 
Lear and the Fool are also very much alike in that both characters in some respects stand
outside the action. In his role as court jester and choric voice, the Fool is extrinsic
to the events which take place. Similarly, when Lear divests himself of his material
goods, he effectively hands over control of the action to Regan and Goneril and their
husbands (although Albany, of course, himself chooses to be alienated from this camp).
When Lear calls himself 'the natural fool of fortune' (4.6), he acknowledges the fact
that he has himself become a fool who watches and comments on the action without having
any control over it. 

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