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FREE ESSAY ON FAUST: THE CHARACTERS THAT DEFINE HIM

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“The Devil and Daniel Webster” and “Faust”
A comparative analysis of the characters in “The Devil and Daniel Webster and Other Writings” by Stephen Vincent Benet and “Faust” by Johann Wolfgang Von Goethe. -- 2,003 words; MLA

"Faust"
This paper analyzes the main characters in Marlowe's "Dr. Faustus", and Goethe's "Faust". -- 1,590 words; MLA

"Faust" in Context
Examines von J.W. Goethe's play, "Faust" in the context of the Enlightenment. -- 1,150 words;

Women in Faust Legend
A comparison of the roles of women in historical and cultural contexts in Marlowe's "Doctor Faustus", Goethe's "Faust" and Thomas Mann's "Doctor Faustus". -- 1,125 words;

Faust's Depiction of Victims
This an analytical paper that describes the way victims are depicted in von Goethe's story "Faust". -- 1,010 words; MLA

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FAUST: THE CHARACTERS THAT DEFINE HIM

Faust: a figure defined by the characters in which he interacts. In Johann Wolfgang von
Goethe's Faust first part, Faust is a famous character of self-inflicted tragedy. The
characters such as Mephistopholes, Wagner, and Gretchen imply those feelings, impulses,
needs, and wants that many may face during a lifetime. Goethe's story of Faust
illustrates an interesting path that one may follow at a universal point where we feel we
do not know our purpose and feel pinned down by the sadness of the seemingly impossible
satisfaction of life. The story appeals to all who read it. It shows that feelings of
loneliness and unfulfilment are timeless and take many forms. Lust is personified by
Gretchen, temptation by Mephisto, and the past by Wagner. Each character slyly describes
pieces to the Faust puzzle. All together the story seemingly resembles that of a very
complicated fairy tale.
Each character of Faust plays an intense role in Faust's life, however brief. Of the most
intense is of course Mephistopholes, the devil. This devil is for the first time comical
in literature and is quickly understood. Mephisto takes the opportunity to test Faust
with God's permission to find if he will betray him. At this same time Faust is
contemplating suicide and angry and curious at what he cannot learn. He has become a
respected, learned, intimidating person. He feels all that he has learned has done
nothing for him and wants desperately to learn unearthly things like those in the spirit
world. He is severely unhappy with who he is and where he has come to be, like so many of
this world today. He personifies the point at which people sit and wonder where to go
next and what to believe or to even believe at all. Each human being wants to know the
far-reaching points of the universe and looks upon God as an aggravating puzzle. Faust is
this person. Mephisto is temptation towards evil things, thoughts, and discoveries.
Mephisto is the chance people have to take the impatient, faithless way out of life.
Many, like Goethe's Faust, find this direction easier because they do not care. Faust
loses the heart to hope, care, and believe and therefore is tempted easily by Mephisto.
Wagner, an understudy of Faust, shows what Faust was. Wagner can easily be seen as the
type of person Faust most resembled before losing his direction. Wagner is content and
even excited about what he has learned and fascinated by it. He is still eager to
approach new thoughts, embrace old beliefs, and look forward to further study. Faust may
have felt strongly about those same feelings at some point in time but now only echo from
his past. This is paralleled by today's instances where people become fed up with what
they are doing and want to understand something more than before. This can be a believer
in faith who turns their back on it or even someone leaving their job in order to "give
something back." Many people many times face a turning point in their lives and continue
with a large part of who they once were still a part of them. This is what Goethe is
showing readers from the Faust-Wagner relationship. The bottom line is to show the
readers a background of Faust.
Love, everyone has stumbled upon it no matter what the circumstances. Gretchen is the
potential love that lay hidden upon every man's heart until awakened. Potential love
because Faust does not know her when he yearns for her on the street, she personifies
lust at first. Up until his lustful thoughts of her, Faust seems to have never come close
to love. This relationship tells us nothing that comes by sin (bribery and lies) is worth
it. Although Faust seems to fall in love with her, because things must be hidden from her
and others doom it to never succeed. Such as life it screams at the reader that virtues
such as patience and honesty may not always produce quick results, in the end all is
better than before. Faust's relationship with Gretchen illustrates the impatience in life
and how fast happiness without virtue will make you worse off than before. This is such a
great lesson to learn in today's society most of all.
Gretchen's brother Valentine is the image of consequence. He reveals to the reader what
Faust knew in the back of his mind of their relationship. Faust was blinded by the
immediacy of love from Gretchen that he did not consider the consequences. Although he
did not see them at first, he is brought face to face with Valentine himself to realize
them. Like so many others, people who do not face quick consequences will always in the
end suffer in one way or another as Goethe points out by this relationship.
In the end of this story the reader is left thankful that Gretchen is forgiven (like
those blinded by deception) but curious as to Faust's fate. Faust, Part One does describe
a human's mortality and makes the reader think of similar instances in his own life. As
each character slides into place to complete the Faust puzzle one realizes the
similarities between him and us and the paths we choose. This slight fairy tale titled
Faust imposes the importance of happiness and danger of temptation and appeals to all
that discover it.

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