FREE ESSAY ON ELIZABETHAN THEATER

ELIZABETHAN THEATER

OUTLINE
THESIS: Elizabethan Drama changed literature and theater into what it is today.
I. History of Elizabethan Theater
a. forming of theater
1. medieval church
2. mystery and morality
b. actors 
1. rogues and thieves
2. acting guilds
II. Influences and people
a. commanding actors
1. Shakespeare
2. Burbage
b. other
1. wars of the roses (other historical influences)
2. laws restricting theater
III. The theaters
a. prices
1. seating
2. stage 
b. the theater and the globe
1. locations and characteristics
2. Burbage and other accomplishment
Elizabethan Drama
During the reign of Queen Elizabeth I, England underwent a dramatic change in priorities.
The importance of art and literature became highly prevalent. The impact of the
Elizabethan drama and style still influences culture. It changed altered it into what it
modern literature and theater is today.
The Elizabethan Age began during the last twenty years of Elizabeth I's reign (Lace, 71).
Elizabeth loved the arts and England had increased in wealth and internal peace (Lace,
71). Elizabethan drama placed its roots in the medieval church (Lace, 71). Since all
services were held in Latin, a language common people did not speak, priests acted out
the stories of the bible to teach (Lace, 71). Beginning in church behind the alter, plays
grew more popular as more people wanted to see them (Lace, 71). When there were not
enough priests to fill the roles, commoners were given parts. Eventually, the common
people took over the plays and the church became less involved (Lace, 72). The biblical
plays transformed into mystery and morality plays. Morality plays were more serious and
meant to teach people the difference between right and wrong (Lace, 78). Mystery plays,
while still teaching morals, were the more entertaining plays. Both were highly
religious. The actors of the time led an ambiguous life. In the first half of the 16th
century they were seen as little better than thieves; some, in fact, were thieves (Lace,
73). While some actors were performing others would go through the crowds and pick pocket
(Lace, 74). Touring companies were small, usually less than ten people (Lace, 74). Actors
traveled by wagon and slept in or under them (Lace, 74). Almost no women were actors,
women's parts were played by younger boys (Lace, 74).
Elizabethan theater was strongly influenced by individuals and events - It also was an
influence on the people themselves. Although there were many outstanding actors and
playwrights, only a few are acknowledged for their affect in molding early theater. When
Christopher Marlowe, the most famous 
playwright in his time (Lace, 79), died, William Shakespeare was his successor.
Shakespeare decided drama was to be his career after seeing the Queen's Players during a
visit to his hometown of Stratford-on-Avon in 1587 (Lace, 79). By the time of Marlowe's
death, Shakespeare was already well known for his three part "Henry VI" in 1592 (Lace,
79). His plays "Love's Labour's Lost" and "Romeo and Juliet", both in 1594, were
performed and he became the most outstanding playwright of his time (Lace, 79). Before
Elizabeth's reign was over, "Richard II", "Julius Caesar", "Henry V", and "Hamlet" had
been performed (Lace, 79). James Burbage was the second most influential actor of the
Elizabethan period, but not only for his acting talent. Burbage built the first ever
public playhouse in England, opening in 1576 (Unknown, 218). Burbage financed the
building of "The Theater" alone, a well off man but was still considered a rogue. Actors
were not the only influence on theater. When Mary Tudor decided the throne was rightfully
hers, the War of the Roses ensued (Lace, 73). Because of the War of the Roses, many
nobles, that employed actors, were killed (Lace, 73). This forced actors to form their
own troupes (Lace, 73). In 1572, parliament passed the Poor Laws, making it a criminal
offense to be a vagabond (Lace, 75). This reduced the number of acting companies and
required them to be licensed by the government (Lace, 75). Companies already sponsored by
nobles were given licenses (Lace, 75). This made gaining legal status an important step
for the acting profession (Lace, 75). Informal protection was now backed up by the law,
this was useful to the increasing hostility of city officials towards plays and actors
(Lace, 75). 
The cornerstone of Elizabethan Drama were, in fact, the theater houses themselves. At
"The Theater" the price of admission was a penny, this entitled one to stand on the
ground around the stage (Lace, 77). The poorest and most boisterous were looked down upon
by the more well off, who called them groundlings (Lace, 77). The next higher were low
galleries that cost another penny, and prices go up the higher you go (Lace, 77). The
highest gallery were private rooms, but not the most expensive (Lace, 77). The most
expensive were on the stage itself. These people often disturbed the performance by
talking, playing cards, or showing off new clothing (Lace, 77). The theaters were built
much like the court yards the actors were used to (Lace, 76). The building was circular
and the stage extended out so that the 
audience almost surrounded it (Lace, 76). Scenery was limited but special effects were
now possible (Lace, 76). Actors could pop up through trap doors or be lowered from above
from a room known as "heaven" (Lace, 76). At the rear of the stage there were two doors
used for both scenery and actors (Lace, 76). Backstage were rooms for storage, "tiring
rooms" (where actors got attired, dressed) and the green room where actors waited for
their cues to go onstage (Lace, 76). "The Theatre" was an immediate success with both
upper and middle classes (Lace, 77). Middle-class merchants, mostly puritans, disliked
plays but apprentices often snuck away from work to watch them (Lace, 77). The audience
was mostly male. Going to a public play, even if escorted, was considered not respectable
for women (Lace, 77). Only lowest class women and the greatest nobles enjoyed plays by
themselves (Lace, 77). Upper class women and the greatest nobles enjoyed plays, but the
actors came and performed in private halls (Lace, 77). The Globe was the most famous of
all the Elizabethan theaters (Lace, 77). In 1594, Burbage's lease had run out on "The
Theatre" and the landlord wanted to raise rent (Lace, 77). They argued for years. Finally
Burbage tore down "The Theatre" and transported the lumber across the Thames to Southwark
and built The Globe (Lace, 77). The new theater was occupied by the newly formed Lord
Chamberlain's Players, founded by Elizabeth's cousin, Lord Hudson (Lace, 77). This most
famous troupe included Shakespeare and James Burbage's son Richard, considered the best
actor of the time (Lace, 77). Opened to the public in 1599 with Shakespeare's "Henry V"
(Lace, 78). Some historians believe Shakespeare played the part of chorus saying:
"But pardon gentles all,
The flat arraised spirits that hath dared
On this unworthy scaffold to bring forth
So great an object can this cockpit hold
The vastly [vast] field of France? Or may we cram
With in this wooden O the very casques [helmets]
That did affright the air at [the Battle of] Agincourt" (Lace, 78).
All the minor details and trifle ways that shaped the style of the Elizabethan era are
the same that changes the style of modern times. Unknown to the innovators of their time,
their contributions to the theater they lived for are still recognized and appreciated.
Had it not been for these noble few literature and theater would not quite be the art
form it is today.
Bibliography
Bibliography
Lace, William W. Elizabethan England. San Diego, Ca. Lucent Books, 1995.
Boas, Fredrick S. An Introduction to Tudor Drama. Oxford, Eng. Clarendon Press, 1977.
"The English Theater." Cultural Atlas of the Renaissance, p218.
Arnold Edward., ed Prentive Hall Literature. Englewood Cliffs, New Jersey: PrenticeHall,
1989.
Internet. http://www.springfield.k12.il.us/schools/springfield/eliz/costumes.html.