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“Catcher in the Rye” and “Less Than Zero”
A look at the discourse of youth in the novels "Catcher in the Rye" by J.D. Salinger and Brett Easton Ellis' "Less Than Zero". -- 1,000 words; MLA

"Catcher in the Rye"
An examination of the role of symbolism in J.D. Salinger’s "Catcher in the Rye". -- 1,053 words; MLA

"The Catcher in the Rye"
A review of the novel, "The Catcher in the Rye", by J.D. Salinger with a focus on the character of Holden. -- 1,936 words; MLA

“The Catcher in the Rye”
An analysis of the narrative intentions of “The Catcher in the Rye” by J. D. Salinger. -- 2,072 words; MLA

"The Catcher in the Rye"
Symbolism and image patterns in "The Catcher in the Rye" by J. D. Salinger. -- 900 words;

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CATCHER IN THE RYE

Holden Caulfied: Saint, Snob, or Somewhere In-between? Although J.D. Salinger has only one
novel to his credit, that novel, The Catcher in the Rye, is recognized as an exceptional
literary work. The key to the success of The Catcher in the Rye is the main character,
Holden Caulfield. There are many different critics that view Holden in many different
ways. Some believe Holden to be a conceited snob, while others see Holden as a
Christ-like figure. It is my opinion, however, that Holden is somewhere in the middle.
Holden Caulfield is a character who has a definite code of honor that he attempts to live
up to and expects to as abide by as well. Since the death of his brother Allie, Holden
has experienced almost a complete sense of alienation from the world around him. This
alienation is evident in every part of his life. Holden is unable to relate to anyone at
the three prep schools he has attended. While standing on Thomsen Hill, Holden cannot
help but feel isolated when he observes the football game, "you were supposed to commit
suicide or something if Old Pencey didn't win" (Salinger 2). Not only does Holden feel
isolated at the schools he has attended; he has this feeling when it comes to his family
as well. Upon his return to New York City, Holden does not go home. Instead, he chooses
to hide out from his family. According to Ernest Jones, "with his alienation go assorted
hatreds - of movies, of night clubs, of social and intellectual pretension, and so on.
And physical disgust: pimples, sex, an old man picking his nose are all equal cause for
nausea" (Jones 7). Holden feels Previts 2 as though all of these people have failed him
in some way or that they are all "phonies" or "corny" in some way or another. It is
Holden's perception of those around him as "phonies" and again according to Jones;
"Holden's belief that he has a superior moral standard that few people, only his dead
brother, his 10-year-old sister, and a fleeting friend [Jane] can live up to" that make
him a snob (7). Presenting Holden as "snobbish" hardly does him justice. Critics such
Frederick L. Gwynn, Joseph L. Blotner, and Frederic I. Carpenter view Holden as a
character who is "Christ-like in his ambition to protect children before they enter the
world of destruction and phoniness" (Carpenter 24). Holden's experiences throughout the
course of his life have created a desire in him to preserve the innocence of those he
considers to be innocent. He attempts to physically overpower Stradlater when he realizes
that Stradlater may have "screwed around" with Jane Gallagher, whom Holden considers to
be innocent simply because she "plays checkers with more regard for the symmetry of the
pieces on the board than for the outcome of the game"(Gwynn 13). Along with Jane
Gallagher, Holden wishes to protect his sister Phoebe, who is very much like Allie in
that she has a mix of youthful innocence and generosity that overwhelms Holden. The best
example of this generosity is when Holden is moved to tears because Phoebe gave him all
of her Christmas money. Simple acts like this motivated Holden to want to be Christ-like.
Holden's desire to be Christ-like is best evidenced in the following quotation: "Anyway,
I keep picturing all these little kids playing some game in this big field of rye and
all. Thousand of little kids, and nobody's around- nobody big, I mean, except me. And I'm
standing on the edge of some crazy cliff. What I have to do, I have to catch everybody if
they start to go over the cliff..." Previts 3 Not only is Holden Christ-like in his
desire to protect those who are "innocent" but he, like Jesus, truly "loves his
neighbors, especially the poor in goods, appearance, and spirit" (Gwynn 14). Not only
does Holden give ten dollars to the nuns in the station, but he is also depressed by
their meagre breakfast and the fact that they will never be "going anywhere swanky for
lunch" (Salinger 110). He also worries about the ducks freezing in Central Park,
sympathizes with the ugly daughter of Pencey's headmaster and even Sunny the prostitute
(Carpenter 24). Perhaps the quality that is most Christ-like in Holden is his ability to
"forgive like Jesus with his Judas, he [Holden] forgives Stradlater and the bellboy
Maurice who have betrayed and beaten him" (Gwynn 14). Because of his compassion and
ability to forgive others, Holden can also be viewed as a Christ-like figure. While there
is evidence to support Holden as both a snob and a saint, I believe that Holden is a mix
between the two. The Catcher in the Rye is the choice of nine of ten murders, whackos,
serial killers and, oddly enough, disgruntled teenagers. John Lennon was killed to
promote this book. In the movie Silence of the Lambs, the serial killer John Hinkley was
also a big Catcher in the Rye fan as well. The level of general craziness surrounding the
book is so bad the movie Conspiracy Theory made it a running joke, even tracking the
protagonist portrayed by Mel Gibson by monitoring purchases of The Catcher in the Rye.
The reason that this book has a universal appeal to such a variety of people lies in the
main character, Holden Caulfield. He can be saintly or snooty, cynical or sincere. Holden
is generous to charitable to nuns and protective or children, or be agitated at the
"zit-encrusted" Ackely. Still yet, Holden is capable of being quite cynical, Previts 4
the best example of this is in the very opening of the book when Holden states, "If you
really want to hear about it, the first thing you'll probably want to know is where I was
born, and what my lousy childhood was like, and how my parents were occupied and all
before they had me, and all that David Copperfield kind of crap, but I don't feel like
going into it, if you want to know that truth" (Salinger 1). Despite his ability to be
pejorative, Holden can still be able to be quite sincere. This is evident in his dealings
with Phoebe. When Phoebe begins to cry, Holden first "wanted her to cry until her eyes
practically dropped out. [He] almost hated her" (Salinger 207). Yet, a few seconds later
he wants to take Phoebe to the zoo and the park to assuage her pain. That is what I
believe makes Holden Caulfied such a fascinating and widely admired character. One minute
he can be bashing "phonies" then the next he will be acting "phoney" to a mother of a
classmates as he was on the train to New York City. So, Holden is neither a saint nor a
snob. He is a sarcastic yet sincere teenager who is pursuing Quixotistic ideals of moral
order. Holden is caught between the anxiety of childhood and the maturity of the adult
world. The appeal of J.D. Salinger's novel The Catcher in the Rye is due in no small part
to the main character and sole provider of information, the one and only Holden Caulfied.
While some view Holden strictly as an elitist or as a Christ-like figure, I find Holden
to a curious mix of the two. Holden is capable of displaying qualities associated with
either at any moment throughout the novel. It is this mixture of qualities that makes
Holden one of the most fascinating and popular characters in modern literature. Previts 5


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